A Wes Anderson Book | The New YorkerThis New York Times bestselling overview of Wes Anderson's filmography features previously unpublished behind-the-scenes photos, artwork, and ephemera, with an introduction by Michael Chabon. Fox , and Moonrise Kingdom. The result is a meticulously designed book that captures and reflects the spirit of Wes Anderson's movies: melancholy, playful, wise, and wonderfully unique. A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine , among other outlets. He is the director of the romantic comedy Home. Michael Chabon is the Pulitzer Prize-winning author of many novels, the most recent being Telegraph Avenue.
Bibliophilia - Books in the Films of Wes Anderson
Wes Anderson Collection Book by Matt Zoller Seitz
Packed with images of everything from behind-the-scenes set shots to makeup inspiration to hand-drawn storyboards, the massive tome is pure eye candy. But in addition to the visuals, Seitz also dives deep into each and every Anderson film. Better than most of their kind, the talks reveal a candidness and honesty between critic and director, allowing Seitz to dig around Anderson's vault and share his discoveries. In this way, the book mimics the work. In other words, it's the perfect gift. The design is meticulously crafted, with gorgeous full-page photos and touches like a still representation of Rushmore's opening montage. Club "In The Wes Anderson Collection, Seitz expands a series of video essays on Anderson's influences, illuminating as much of Anderson's process as possible in a massive, beautifully rendered volume.
Although it looks (and sometimes reads) like a coffee table book, The Wes Anderson Collection brings together style and substance to provide a loving homage.
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Keep reading. The book also features interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn. Previously unpublished behind-the-scenes photos, ephemera, and artwork lavishly illustrate these interviews and essays. But in addition to the visuals, Seitz also dives deep into each and every Anderson film. In this way, the book mimics the work. Anderson has crafted a successful career making quirky and refreshing films such as Rushmore , The Royal Tenenbaums , Fantastic Mr.