The Art of War for Writers | Writer's DigestThe work, which is attributed to the ancient Chinese military strategist Sun Tzu "Master Sun", also spelled Sunzi , is composed of 13 chapters. Each one is devoted to an aspect of warfare and how it applies to military strategy and tactics. For almost 1, years it was the lead text in an anthology that would be formalised as the Seven Military Classics by Emperor Shenzong of Song in The Art of War remains the most influential strategy text in East Asian warfare  and has influenced both Eastern and Western military thinking, business tactics, legal strategy, lifestyles and beyond. The book contained a detailed explanation and analysis of the Chinese military, from weapons and strategy to rank and discipline. Sun Tzu also stressed the importance of intelligence operatives and espionage to the war effort.
The Art of War for Writers
The format of The Art of War is a socratic dialogue. Written between and and published the following year, it was Machiavelli's only historical or political work printed during his lifetime, though he was appointed official historian of Florence in and entrusted with minor civil duties. The Art of War is divided into a preface proemio and seven books chapters , which take the form of a series of dialogues that take place in the Orti Oricellari, the gardens built in a classical style by Bernardo Rucellai in the s for Florentine aristocrats and humanists to engage in discussion, between Cosimo Rucellai and "Lord Fabrizio Colonna" many feel Colonna is a veiled disguise for Machiavelli himself, but this view has been challenged by scholars such as Mansfield  , with other patrizi and captains of the recent Florentine republic: Zanobi Buondelmonti, Battista della Palla and Luigi Alamanni. The work is dedicated to Lorenzo di Filippo Strozzi , patrizio fiorentino in a preface which ostentatiously pronounces Machiavelli's authorship. After repeated uses of the first person singular to introduce the dialogue, Machiavelli retreats from the work, serving as neither narrator nor interlocutor.
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